
Friday, 24 July 2009
The End

Saturday, 20 June 2009
Seven Poems - David McLean

time the blind eye
time the blind eye of a snake
spits on us venom
for vermin
we fall like leaves
leaving seasons
frothing satiety
nothing coming
is dust is
good
night is a liar
night the inarticulate liar gesticulates
mainly, it is not inside me
like time is like years
hours minutes
and nothing in between
the index is definitive
this, night the liar
listen
years missing
suicide accumulates
suicide accumulates in everyone
the venomous affection of mothers
and their winsome incestuous
predilections
like memory buggering
nothing. to love no one
like we don't leaves nightmares
homeless as hope
suicide she remembers its “no”
fingers fragile as tomorrow
that might not be, temporary,
trembling, she raises them to lips
that kiss the wind which needs nothing,
not even a child to die that kisses it
tonight, fingers fragile as tomorrow
sings, not mine
an old lady carries water
an old lady carries water
because the landscape is broken
monochrome, there are thousands of her
here, probably more
an old lady carries water she is young
today, the landscape is at war
we are begotten
we are begotten because some meat
rubbed meat to be meat forever
as if approximate replication might be
eternity
and we are devils who earned this death
forever. there were distances
and absences and the crippling wait
of the nipple
weighting for a baby's shoulders
which were slenderer and smaller
then, now we are devils
and absences
which means men
our own meat meant -
whores again
this life is a strip of fucking flesh
that bleeds and sweats
the brutal belly of the beast
soft white nights
tiny essence of saliva
and time, staked
between birth
from filth like vermin
and the waiting
meat rack grave
memory, man
slipping through cracks,
the dreaming meat
all these absences
the murderer,
the lack
Friday, 12 June 2009
Four Poems - Phylinda Moore
Amyloid and Neurofibrillary PlaqueThey thought Rita Hayworth dwelt in the stages of alcohol abuse
before they realized Alzheimer’s
Lousy to think of all that beauty– the song and dance of her–
finishing a tangle of nerves.
And what about you dad? Your rough hands that turn smooth wood bowls, fish puzzles, ink pens, birdhouses, rings, necklaces, and Model-T Fords–
all this will shrink from your limbs,
draw backward as the brain shrivels.
Never mind the forgetfulness, it’s nothing new–
what about the limpness of your hands?
There is no curative in this sentence,
but what about the daughter for whom your diagnosis
means explanation?
1.
if the brain is a computer,
and each function powers off
as a program shuts down,
slowly as with a virus, erasures,
or a damaged motherboard
2.
if the trajectory of life is as a highway
running across lanes, choosing directions,
dodging cars, spinning off exits-
sliding from one concrete spider
to another
3.
if mechanical renderings
factor down life as
wet snow on a windshield,
melt memories into winter.
4.
if memory is like filling a waffle with syrup
and Alzheimer's eats the waffle,
breaks the grid and gradually leaks the cells
before they disappear
I carry pain pills in my purse
they’re in the cabinet too.
I’ve branched out
different pills for different pain
one temporary cure
impossible to represent in thought that which is not space-occupying,
for that would be equivalent to thinking that nothing had become or was something,
that emptiness had personality,
that space itself was more than space
–Duncan MacDougall, M.D. 1907
Sometimes I slide madly to silent white noise
cognitive lapses– wearing down, out, and etc.
my nurse said,
None of my other patients self-treat. What will we do with you?
I wonder the same
of this latent condition. The whole family could use a check as
we rarely meet clear headed.
Symptoms finger many places. Longstanding
fragmented consciousness takes another slip
we both looked out the window and saw it pouring.
Less then a minute later, no rain.
We walked to the car together.
The dream shed its gossamer cover in a wilt
of every moment experience.
Rage shapes water’s properties– wells up
another’s slamming hands on a table, someone hits the floor with fists
canyon carved aftermath. I was dying
for someone to tell me something
like black and white movie banter
where champagne casts faultless light
a dream’s perfect recounting
in restful, disorienting, sepulchral quiet
I practiced, tried not to wet orchids or their leaves
watched the peony, too heavy for its bloom,
fall into itself like some high school tragedies I used to know,
heap lost petals on the ground.
We’re unaware how easily we carry our own bodies.
I must understand this melancholy, lingering infection
of other life thoughts
following sun in and out of clouds
bitter edge taste
leaves little energy to climb trenches, fill them, or grow grass along scars.
I need the surreal moment when the world is golden gauze.
I hope quiet days strung out like pebbles
plant memory a delicate perfume
back from the figurative tower
outside, or next to the world.
Friday, 5 June 2009
Interloper - Anji Reyner

Tuesday, 26 May 2009
Deserted - James White

Thursday, 7 May 2009
Ten Poems - RC Miller

Don't move the bodies browning together, grounded
And round.
Sweet onions minced in a big pot, the aftereffect of their mixture
Hides behind molasses real crummy.
And my perfect monster is 20 noodles sticking together, shredded
When finished.
I add water, spreading a few swoons revealed as coiled bargains.
Old snow showers a land of twins.
O I've got ghosts, I say anything
They require.
A part of me thinks that chicken has a fantastic rack.
I return to the oven.
Wind noodles my chore.
The bodies remove themselves.
Peace and liberty breast side up, a recipe from which
The drizzle follows.
Without you, I count its shards.
Beaver
Almost impossible to have a squirt.
My cut's on the beach, my disbelief a brand-name.
Burrito then enchilada, eight beers later I'm a stingray
I wish to blow.
The next wave of graves arrives sooner than I finish.
For them there's plenty of mothers blessed, and plenty
More sure weep after drinking.
All of us hear the speeches coming from the monitors.
Many aircrashes are proving survivable.
Lunatic oceans for centuries, I part the surf
That bites.
It's horrifying and living.
Every drip dangles war.
The Cause of Birth Is The Will To Be Born
Pets ahoy!
My poison continues my soul
Patiently waiting a week before its savoring.
The clown in there is a testicle times twelve.
My testicles bump accidentally and get zipped up
While I stand in line to buy our season tickets.
Them apples been begging me to sneak sponges there
Every New Year's.
Somebody chases us out.
The clones make love and sex seem dutiful.
Their names are on the bill.
The next time I live in New York
I'm renting a car and staying at a hotel.
Our clones watch everything to try so I
Stew them a sanity downsized.
The doors do not hold.
The doors do not.
Hold not, the doors do not.
The not do the doors hold.
And next time I live in a small town
I'm renting a small town mentality.
City gals in tight gray jeans watch my testicles jump.
They work hard and attend all the Super Bowl games.
A preparation for what evacuates often,
I bill everything I try.
On this decal
Is a sanity I do not hold.
Compartment brush of low tolerance.
About a half an ounce finishes the savoring.
I have two beers and accidentally zip up my testicles.
A lunch from this decal evacuates often.
Small towns in tight gray jeans clone every soul continuing.
Love and sex seem as dutiful as begging for the Super Bowl.
We poison experiences of objects that fact check.
Consciousness identifies itself with its embryo.
The fact that people die causes people in this world.
The cause of birth is the will to be born.
Total hours worked carry over from one calendar year to the next
For purposes of calculating
Youth during a meal or rest break.
I shoot whiskey like my body bag do
And experience its primal cleansing.
I talked this morning already.
I omit what the ribbons excuse.
Sleeves and samples explain to me
Strawberry therapy
Protected from an experience of God.
Click, Swipe, Win, Die
A heavy smoker with a broken ticker
Cradles his corpse online.
Automatically attracted, the battlefields roast up
Hippos and gorillas.
Withholding death, only the ground occupies.
Numbness changes little.
Ice drifts step back from
The trains falling asleep, farting.
Twenty more wombs to go, so
Repeat my characters, my clams
And kings.
Their meat sticks sprout, and I’m moving
And feeling weird, like a neck
Purchasing a toad, like
The batteries
Buzzing in a wolf.
My image is how I think.
This image is yours to click.
I’m out collecting firewood for guns
I cannot swipe.
There’s dairy flashed under doors
High in the air, winning.
Nuts For Sale
I must learn my murderer's song.
I must learn
Of things having fates acting against their shape.
And I declare my soul by referring to words
That do not ramble.
An intuition in the sun
Dilates as if its objects spurn their space.
For every one of my murderer's yawns,
I'm certain there's a whore who will yawn for me
As long
As I pay her flight over.
And souls act against my fate, becoming less
Mojito after dribbling on mosaics of dilated mosquito.
Intuitive curs
Unload my body, the nuts
Stay pale and shapely like suns.
Cop whistles in the rubble provide them
Great debates.
I must learn something impossible.
Pond
This ugliness rhymes with gave, physically speaking.
Advertising 30 seconds of free sex, I shit
And sell off the trans fat.
Where are these vices deduced from?
I think I'm gonna peak, come on, you
Gotta irrigate the fiends, raise
The dikes and what remains will tax
My rabbit skin and steep tasty stews
While inventoried.
It's like the way I make your eyes stalk multiplexes.
And as fish grow in the pond
We'll eat their buns too.
Try It Diet
Minds and mental things don't exist.
Only physical things exist and it doesn't matter.
Immediate knowledge is a truth.
It follows in harmony with the victorious stun.
Once we come near contact we are gone.
Death purifies the fleeting pleasures of the world.
In blotches I am teased, the fruit
Goes bad and sticks to my fly.
Teens quickly dispose of my baby, a sacrifice
To keep motion orderly.
I name this bastard art.
My nature includes everything except for souls.
The ground of existence is the self becoming.
A wound full of mirrors and running water.
The mind includes everything except its nature.
Only mental things dismiss the harmonious pleasures
Of the world.
Death comes immediately and hardly matters.
Don't Know Mind
Shadows of other planets
Hunt for worlds like mine.
The sky gets ahead of me no differently
Than what the stars say.
I gun myself down to feel my insides work, or
Maybe to prove what's temporary
In the ridicule
That takes its pants off and chews.
I will suffer on this tray.
I will suffer through life's stay.
I will suffer as if I'm a gay
Dressed up like some moldy paint thinner huffer.
Shadows wander without panic, hunting
For hopes and cares to buffer.
When I say "stars" my pants come off,
Lacking awareness of any project.
Famous Judgement
My stomach's sure a wreck these days.
I can hardly digest any substance.
Maybe it's nerves, maybe it's the answer, or maybe
I'm half God cancer.
Wandering the bramble, petrified as shit to stop reading looks,
I concentrate instead on working life without lice.
Sea turtles I meet off the coast of Kauai
Freshen my essence despite its novelty.
A new measurement of the individual is freed to chase
Puny suits pleasuring those who wail in waste.
Steamed cauliflower for dinner, my cremated tastes wither,
Yet come morning, meatier lies shall wilt this glitter.
It's Nothing
We are born flukes to become
A sanctity due, a sentiment of grace,
The persona less aware and energy.
Alive in such a dark world.
We suppose to sturdy it.
A world of such glory, the
Glorious world in one wandering.
That is all said lightly.
This must be my end alive.
A boring couple of days.
An active life is boring.
My infant daughter decapitates an air-bag
While simultaneously
A young boy mauls a mountain lion.
What will someday come rather than what now was.
I shoot the father.
I have done this before.
I am seen through the window,
I am living in his house again.
This must be a judgment.
I don't know what I'm talking about.
I can't sell the difference
Between my clothes, the megabyte, the tabloids, and my spite.
I'm out to smoke a cigarette,
Because if this internal absence continues
It might be necessary to master your language,
And I shouldn't swear by that.
I am seen through windows.
I am done judging you.
I let the night grin.
And I am sober and then the road.
Ahead, a stable of dogs and old yelling yellows.
Comic books of cross-bone spawn unfold around me.
The fathers are dead.
It's boring here.
I step in all the houses I've visited before.
I avoid all the women I've slipped inside before.
I heard the others behind me.
Along the way comes something after.
Rough neck red neck cute suck neck suck
Face dick cute suck dick fuck red dick rough fuck,
To bed junk!
You pray much too often for me.
Now was what will come again rather than what wills.
Wednesday, 29 April 2009
Bridge - Spencer Dew

Over the weekend, up on the campus of the university, there was a seminar on writing and death, and because two of the speakers were celebrities in certain circles, and because they both knew and respected my mother’s work, and because the university intended it, in a way, to be a memorial, a tribute to my father and his years there as a professor, I went to both keynotes and the wine receptions after them, Friday’s on how language, by communicating only the idea of something, negates, simultaneously, the reality of things, Saturday’s on how narrative, no matter how nihilistic or negative, by its very existence testifies against itself, counter, as the speaker said, citing his own example, suicide.
All the bars of Knoxville were full of girls who were too young but pretending not to be. I don’t know where liability lies in such a case, but her legal identification said one thing and everything about her body and how it responded said something else.
“You have so many books,” she said, in the morning, like it was a question, walking around in her underwear, touching too many of my father’s things – his walls of floor-to-ceiling shelves, his pipe rack, his collection of model bridges.
“That’s the Fremont Bridge,” I said. “Be careful. It’s actually two pieces.”
She was tinkering with it and the locking mechanism that kept the two halves of the drawbridge together opened. Half fell to the floor. She started apologizing like crazy, and I examined the piece, still together but quite broken, various slats now leaning, the whole structure jiggly.
“I just have a thing for bridges,” I heard myself say. “It’s a dumb hobby.” I pulled her toward the bed, hating myself for bringing her there.
“Some famous professor makes bridge models. There was something in the campus paper.”
I was trying to concentrate only on her body, and I was failing. She tasted stale, and I was getting angrier at myself and at her and at him and his stupid life, his stupid theories and books, so smugly isolated, so far away from and unconcerned with what had, at least for a few years there, been his family.
“I mean, whatever helps you relax, right?” she said. “It’s good to have hobbies?”
I lowered myself on her, pushed a hand up over her chest, kneading, hard, then wedging two fingers into her mouth, where she sucked them, moaning, pushing her pelvis up against my face. I sunk my tongue into her, thinking, just shut up, shut up, and then straining to think about anything else, anything other than him and his hurtful life, anything other than all those years without him or the sound of my mother’s voice over the telephone when she told me the news.
“That’s so good,” she said. “That’s perfect.”
Sure, I thought. Sure.
Tuesday, 21 April 2009
Murdering Our Darlings - Ethel Rohan

Stop. No running. Stick your bottom to the seat. Sit straight. Pay attention. Keep your hands to yourself. Stop scratching. Don’t pick your nose. Wash your face. Fix your hair. Clean your ears. When’s the last time you brushed your teeth? You stink. Keep that for the bathroom. Look at that underwear, disgusting.
Move along. Don’t look at me with that face. Watch your tone. Be quiet. Speak up. Why can’t you listen? What did you say? Who asked you? What are you listening at? Don’t say that. Stop sneaking around. Get in. Get out. Go outside. Get up. Get into bed. Up to your room. No dinner. Clear your plate. Stop stuffing your face. Look at that stomach. Could you get any more into you? Look at those teeth. Smile properly. Wipe that smirk off your face. Where are your manners? If you’d brains you’d be dangerous. Get your head out of that book. Clean up. Help out. Hurry. Come on. Because.
Hello? Forget about it. Useless. Don’t ever touch yourself there unless you’re wiping. There isn’t any left. Do what I say. Now. Cut it out. I don’t care. How dare you. See what that will get you. [Every word accompanied by a slap to the head and legs]: how. many. times. have. I. told. you. not. to. do. that? That’ll teach you. What the matter’s with you? Stop your sniveling. God is watching. The policeman will take you. The Bogeyman will get you. Don’t make me come over there again.
Wednesday, 15 April 2009
Sex and Death - Graham Rae

wanted to spend the night with me
in a low once-seductive rusty purr
So later on that night
as I helped her get
her top off over her head in an
obscene disgusting poignant parody
of the unknown amount of times
she’d done this before
her spent breasts sagged before me
and she was finally naked
hairless vagina a sign of her times
I couldn’t help but look up behind her
at the memory-lock pictures on the wall
of the often-forgotten family who no longer visited
and the house she could no longer recall having
despite standing at the gate in younger happier times
and shaking my head impotently at the waste of it all
as I helped her frail frame into her pajamas
leaving her to her fitful pit of depleted dreams
And as I stepped outside and closed her door
I bumped into one my fellow
minimum wage
overworked caregiver coworkers
and told her that Edith wanted to spend the night with me
“Just so long as you don’t kiss her,” she told me
with a humorless superstitious laugh
I asked her what she meant
And she said that Edith had been found
chewing on one of her own turds
earlier on that day in the bath
when she was getting scrubbed down
And I could only think to myself
for the thousandth cursed time
since starting that nursing home job
that if I ever got dementia
I would have the guts or sense to kill myself
before I ended up like that
staring silently in 80s nostalgia
at a meaningless barren wall of gone family
and feeling the merciless inescapable lapping of the sea of death
starting to creep up my helpless damaged body
as my own misplaced waste ruthlessly
stole the well deserved and earned scream
away from my
word-weary
toothless
mouth.
Wednesday, 8 April 2009
Four Poems - Willie Smith

Shorter than a riding crop, no bulkier
than a plumber’s helper. Releases
a 2.6 second burst of twelve shells
into any crowd approaching too close for comfort.
Also compatible with solid shot.
Magazine may be loaded and key-wound
in less than twenty-five seconds.
At which point the crowd is ready
for another 2.6 second burst
of a couple thousand pellets
hurled faster than sound
in a pattern guaranteed
to spatter the most guts on the wall,
for your money.
Weighs under ten pounds.
May be held in one hand,
as there is virtually no recoil.
Clockwork programmed to bypass duds.
Impossible to jam. This gun is music
to the clenched teeth of Civilizations’s ears.
Intended for use against outrageous attacks.
You may want one for around the home.
WARNING: International Law strictly prohibits use of this weapon
on pheasant.
Redneck Raindance
It threatened rain,
so I got out my gun, got in the car
and gunned it on down to the graveyard,
where it was dark and nobody would know,
but I knew the clouds would see clear.
I got out and got my gun out,
fired myriad rounds at the atmosphere
and gunned down the clouds.
Fog fell in patches, then cleared.
I got my gun down,
headed for the car;
overhead stars started to appear
and I again began to breathe in fear.
The more fired at, the more the stars broke out.
I shot more and more flared up. I shot up
the sky, then drove home, sad as hell.
Shot the dog, shot the wife, shot my Playboys;
finally reloaded and waited for the sirens,
that never came. It began to rain.
I got in the car, backed out over the dog,
layed a patch on the wife’s ass,
got going real good and
gunned it on down to the graveyard,
where it was dark and nobody would know,
but I knew the clouds would see clear.
The Hypnotist Comes To
I come to as if away from certain nausea.
As a child I went through echolalia,
an ordinary stage of growing up,
a temporary mental disorder
when my brain put in the clutch
and cruised a moment through its growth.
Words repeated somnolently after people
said them to each other,
repeated deliciously inside the numb
cocoon stuffed with cotton
disintegrating continually into two people
talking to each other on the sidewalk.
Echolalia is a feeling
but not a feeling
in the same way that
word is a word for word.
Echolalia has a tinge of eroticism
and yet has nothing to do
with anything bodily at all.
I come to
through remembrance of echolalia.
Today I Go
They take right out of my mouth
and toss back in my face the words.
Think I try to talk about repetition,
but not sure; neither
of the try, nor
the repetition. Only of the talk
am I sure.
The waves repeat: Reach high.
Only then might I crash with might.
I tell the waves to suck back.
I came to talk. Now
I must hear myself think. I think,
now, in a rare trough,
they think the same thing – no thing – thing
of which nothing is the mirror.
At last make out I tell the waves
to leave time to take a long look
into the mirror, to make sure
nothing still there is not.
On the way to the void
let nothing bother you,
because nothing will.
Wave hello. Oh, hell –
wave goodbye.
Today I go.
Wednesday, 1 April 2009
Instinct - Lauren Becker

Sunday, 1 February 2009
Ghosts of Breath - Howie Good

Excerpt from "Tennessee Christmas" – Adam Moorad
Billy Can Have My Stutter - Dave Erlewine
Immersion - Erin McKnight
Glooscap’s Butterfly - Barry Pomeroy
winter. night. (three) - j. a. tyler

Saturday, 31 January 2009
Three Poems - Luis Cuauhtemoc Berriozabal

Friday, 23 January 2009
Two Poems - Molly Gaudry

"You shall leave everything you love most dearly:
this is the arrow that the bow of exile shoots first."
— Dante
I dreamed last night
of a trip delayed
a train trip
home
(sweet land of morning calm)
because of a body
found
mangled on the tracks.
I outfoxed the night
(what mind games we played)
alone
with my head trip
feet and hands frozen numb
because there was nobody
around
to say it was a dream, relax.
Wednesday, 14 January 2009
Invasion of the Body Catchers - Russell Bittner

Saturday, 10 January 2009
Doogie Showed Me His Cock - Michael Blackburn

swyving his way through the local girls
and working the floor Upstairs
where the aged incurables lay in baskets and beds.
Suddenly one morning we found him on our ward
in a curtained bed where the doctors came and went
talking of Wasserman's Reaction.
In a lull I popped in to see what was up.
He flipped back the covers to reveal his cock.
I think I've damaged myself, he said.
Half-way down its length, blue-black,
conical, volcanic even, the chancre sat.
I'd never seen syphilis before.
And I don't think Doogie had, either.
Saturday, 3 January 2009
Hide and Seek - Paul Kavanagh

Saturday, 27 December 2008
Sheena Up A Mountain Wearing Flip-flops - Martin Reed

Saturday, 20 December 2008
Five Poems - Tom Daley

Guy-soothe, scholarly and stocky,
incubator steam and feathery.
Top thatch, eleganza.
No migraine, my immaculata.
Boy so shy, winsome,
sometime regret to ask a body how it rue.
Pec-plumped, bowling ball bicep.
Disremembered nary a conjugation
or declension. Pockets packed, stark in sack.
Libido lurching girdles of Hercules.
Sweats early running
every morning, in plenty warning,
matron panties shower his shoulders,
hurled from flung sashes and Mrs. Calabashes.
A glistening listener, a thick to consider,
never one to unkilter compassion.
Loves his mother’s mother’s people,
their diagonal crosses,
their sheep stomachs tucked up with fruits and taters.
Though stepped each Sunday School
to the tintinnabulations of John Calvin’s steeple,
was child wild for Mary medals,
incense, miters, stoles and rosaries.
Pets and likes it when I bites just radius and ulnar,
or takes my chewy fingernails to scritch his spine and lumbar,
his lassitudinal kindness, his scowl and thunder.
Steeps his deepness like his counsels,
bounces between his furtive and his architectural assertive.
Snaps to sleep and creaks by crankiness, boon of humor,
my mainly rave and crave.
Gait and Grace
If you’re still singing, “I’m Gonna Wash That Man
Right Out of My Hair”, he ain’t gone yet,
baby, he is still lodging in there,
tenacious as a louse, crawling around with his saddle sores
and his bowlegged jitter, his parade sleek on two legs,
one a fraction longer than the other, so that he seems
to favor one, but done with such smoothness
that you imagine he is dipping his hipbone forward,
a gesture broken into one part mating dance
and one part orthopedic compensation, and bright,
perhaps too bright a dance
for that hour in the morning, but distinct nevertheless,
even viewed all the way down the factory corridor
like a camel caravan humping over the horizon,
maybe miragey, even friable,
but with a certain signature wobble and grace.
And it’s a distinction, yes it is, to indict him
as the inciter of your sidelong, raspberry rush towards
the miracle of his mouth, mouth broken,
like a beautiful, collapsing wave, into crooked teeth,
teeth the color of paper left out in the sun, a sweet
dinginess which he used to show you before the day you asked
one question too many.
And you blame him, too, for the sad state that plummeted you
into this week-long flu fever, replete with the sublimation
of tears, tears you refuse to cry for a shy and crazy boy
whose only vice is the helpless vagary of his eyes stalling
inevitably, soberly into those high beams of yours.
And he, oblivious to your suffering as a baker is
to her redundant slaughter of yeast, he with his cherubic
gangliness and his Potemkin village indifference, he still
blasts those fusillades in your direction, those
temptations-cum-taunt that he denied
with a St. Peter fervor.
All the livelong war, he quieted them down,
he spun them into some ginger snap confection
to chew on in lieu of cud, but when the war
has been declared victorious, when the saggy-paunch
power brokers plant their smirking knuckles
over the marble top desk at the deposed puppet’s palace,
when the generals in their desert duds whistle and say,
“The gig is up,” then he is back with it,
back with the tantrum and the doldrum,
the miracle shower of his glance he drizzles
over you, baby, like talcum powder. And if
in the blowback from his casual ministrations, if
you break out in a rash all over your nether parts,
if you prickle like boar bristle where the sun rarely shines,
well now, baby, that’s homework he wasn’t assigned.
He blows his blameless mouth harp out
to a windy lonesome, and, baby,
that man’s in your hair to stay.
Fire Alarm
Smoke lollygagging in the factory aisles, plinking and hissing like jazz, the color of down on a mons veneris
Smoke feinting and blurring through cardboard gaylords stacked to the ceiling with saxophone impertinence
The smoke has affronted, has puzzled the occupational safety nurse, her clipboard in hand pressed against her breasts the day before the snowstorm
Her hamburger breasts augmented like a major chord in the puffy, mustard-colored light, her hair straight as a fiddle bow, her hair relaxed as the last remnant of a tirade of French horns
Smoke hangs like a weatherhead, mounting and piling over the fork trucks recharging during the lunch break
Smoke eager as a spring, smoke of one piece, a continuous sheer fabric pulling itself back into raw cotton
In the shop the fire alarm commences and the man wakes up who sleeps through lunch with his chin tucked into his adam’s apple, his legs crossed and kicked up over the lathe bed, his left arm slung over his right
He puts on his coat and crosses the gravel of the railbed where the maintenance man waits for him having unlocked the gate to the parking lot
They are huddled there under the gray clouds in the parking lot, standing in their assigned areas, waiting to be counted
A hundred, or two hundred, huddled against the t-shirt cold, mortal, imprecise, jovial, with gratitude for the smoky disruption of a steel tedium.
Time jammed into them, time a solvent which sluiced them into clownish, irreverent soliloquies; even the youngest of them yellowed in the light of impending snow.
Blue Bantam
Blue Bantam hands me his small telescope. I focus on the houses on the opposite shore. In the backwash of his gin gimlet breath, I can decode the discreet inquiries women have posted to his lips and earlobes.
We stand on a dune. The telescope pans a stretch of beach—the old site of the August carnival at the Methodist girls’ sailing camp. One year when we were boys, the patchouli of the camp girls tugged Bantam there. He caught hell later for pied-pipering us to sniff the festival for ourselves.
The telescope reorganizes the site, magnifies the fossil record of intervening hurricanes and lame-duck capsizing, of slack nylons and flesh that burgeoned into girdles.
To brush against Bantam was to tingle, to be studded by generosity. In his twenties he puzzled us with poems he penned à la Rilke, treatises on angels and underworlds. In a few words on a postcard he sent every year or two he detonated something daring in between my sinuses and cerebellum.
As they follow women, Bantam’s eyes pulse with the synchronicity of a lighthouse. If he catches their attention, he dons a boyish fragility. He lets on that he can be collected and, there he is, fetching as a sand dollar bleached on a shelf of low-tide afternoons.
Bantam’s latest girlfriend actually bothered to keep up with his liquoring. “Make that two!” she would insist when he was ready for another drink. Calibrating an exact duplicate of his intoxication, her mission was to engineer a reversal of the magnetic field repelling her intimacy.
Wrapped in towels that day on the dunes, she shivers, blurts, “I’m going on the wagon.” Suddenly, I am scanning the shore with the telescope turned the wrong way. Everything—the old campground, the houses on the peninsula across the bay—has midgetized.
In my sights, Blue Bantam ’s cockscomb crystallizes, darkens like burnt dessert. Once a sturdy and piquant applejack, in the heat of the telescope’s inverted lenses our boy reverts to cider. The cider slides down the throat quickly but without any spank, dreggily, like the backwash of a wave that shakes itself apart before it reaches shore.
Star Island Saturnalia
A musician-pilgrim perches between a sharp and a slope, her sincerity bruised to a stir, her bereavement worn out by the moon. Here is Miss Maguff’s Cliff, where the island schoolteacher was heaved out to sea on a rogue wave. Rogue wave in the heartlight, rogue wave menacing a Chinese junk moored in the harbor, menacing the slit-eyed turret that still conjures U-Boats and torpedoed ships, ships that hang against the sky at the horizon before they tilt into the deeps.
From far away as Atlantis clouds shuffle in on a weather that scatters over the stone walls of the parsonage. The weather worries the glass of the upstairs bedroom window like the parson fidgeting between Corinthians and Ezekiel.
In the hotel lobby, battered by the hunger of old varnish, piano chords saturate the gaps in one’s agnosticism. Insouciantly trendy clerks beg off the ten spot for the lobster until tomorrow morning. They are simultaneously wary of their own cheerfulness and irked by their dour-faced comrades who stand in crisp caution beside steam tables.
One might meet a Unitarian priestess here with her hair frizzed and incongruously dyed the color of tooth decay, her cheeks nudging her eyes into the aspect of a heartfelt and selfless agitation.
And there is always a blonde Rapunzel whom a day-tripper will compare to Sara Jessica Parker but she inevitably has more of a Lorelei-perched-over-the-Rhine feel to her, a diminutive Wagnerian madchen with accompanying ringlets and marvelous, beneficent smiles.
Some visitors to the island lift surprised eyebrows at the notion that the specificity of chipped creamed cod might trump, several ways to Sunday, the generality of meatless Fridays in their memoirs. Like a rogue wave, the odor of childhood meals suffuses the dining hall and rinses away, if only during the dinner hour, a vague tang of creosote in the pitchers of heated wash-bowl rainwater collected from the hotel roofs.
In the camera screen the outline of the lighthouse and its island presses deeper into the purple night, the backdropped purple night. The little cemetery huddles with its headboards shading its prone skeletons. From there, bits of bone wash like fever down to the ferryboats where lithe adolescents, their wet bathing suits outlining their pudenda, their hair shiny as seal-skin, race to serenade disembarking and sometimes even departing pilgrims.
Saturday, 13 December 2008
Iron Lung - Jason Jordan

Saturday, 6 December 2008
Four Poems - Sarah Sarai

My head is a goldfish bowl, which, no problem,
must be filled with water and stocked if I am to have
a life of any interest. With 360+ optically powered
points of reference coming going rushing by, I do.
Erectness is a plus. Who needs sleep? Perfect posture
is compensation. Goldfish flit in a calibrated solution
of rocky depth and so many viewpoints. With water
as the brain mostly I intellect steamers, ebb and flow,
good tidings, day long. Almighty I am Queen Royale
of my castle, dipping pink-finger probes in murky me.
Pyramid Theme
Stored in your hothead attic, fired by
your generator belly: a pianissimo voice, gutsy.
Conflagration twines to this high neuronic playfield.
A winged archeologist excavating
the Pharonic cache, spies through windows
to your soul. Ah! A telltale crate, pried.
A insider job? A coup interuptus?
A push to reverberate where you live?
Courage, like Leonardo's rivers
seeking their source,
flows up.
Thursday I talk with my mom.
She's answered the phone:
she's receptive;
has lain on her side
to hear the ring.
She says she and Pop walked Manhattan
for years: Wall Street, Harlem, parks.
"They feed me. Nice food, water each day.
The meals are delicious."
Again. "How're you doing?"
I'm proud I ask twice.
"It got worse. My face twisted
last month, I can't leave my room.
"She's had operations.
"Makes me cry, Mom."
"Don't."
Heat bonds to my skin
like a man I shouldn't love.
Mom's in L.A.
She lies on her back
feeling its skin
grafted.
You Say You Did?
My face fell in.
One cheek collapsed.
Cancer nibbled
from my jaw up
for twenty years.
Christian Science
failed me. Not one
practitioner
said, Help, get help,
see a doctor
to heal flesh, bones
use medicine
not faith alone.
Faith did not work.
Oh, my heart broke.
Yes, yes a fool,
your mother is
a fool. Bandaids.
I used a web
of Bandaids, more
each year to hide
black knobs, disease
called Mortal Mind
which spread across
my cheek and life.
You girls, you didn't
try to stop me.
You say you did?
I don't recall.
I'm eighty-one.
I'm so ashamed.
Saturday, 29 November 2008
Iced - Sara Crowley

Saturday, 22 November 2008
Two Poems - Howie Good

Wait a minute. This is not my home.
I began much – the whirlwind,
the world whirlwind,
carried me and my work away.
Whose house is this? What street is this?
Hello. Is there anybody in the room?
I can’t sleep. Too dark. . . too light.
I am seeing things you know nothing of.
It isn’t so bad. Just a little dreamy anxiety,
which world you’re really in, that’s all.
Oh look,
see how the cherry blossoms fall mutely.
What does it signify?
How much longer will it last?
Four o’clock. How strange.
So that is time. Strange.
Hold me in your arms.
Time is short. Agony grows.
Hope lessens.
Softly, quite softly.
UNGRATEFUL TRAITORS
Twenty-seven letters! What is the use?
This subject is too much for me.
Everything has gone wrong, my girl.
The play is finished. The chariots and the horses!
I am not able to explain myself.
Don’t let the awkward squad fire over me.
Don’t let the children forget me.
Don’t sole the dead man’s shoes yet.
Nothing matters. Nothing matters.
Sing to me, if you have the heart.
Note: These poems are assembled from death-bed sayings attributed to John Abernethy, Miguel de Cervantes, William Cowper, James M. Barrie, Rupert Brooke, Pope Alexander VI, Ludovico Ariosto, Jacques David, William Cullen Bryant, Draza Mihailovoic, Joseph Pulitzer, Sir Charles Bell, Henry Morton Stanley, Victor Emmanuel II, Hideko Tojo, William Allingham, Warren G. Harding, Stephen Crane, Sir William Parry, Louis B. Mayer, Paul Verlaine, Sir Horace Mann, Irving Thalberg, Louis Agassiz, Robert Burns, Arnold Bennett, Frederic Bastiat, Edmund Clarence Stedman, William Eyton Tooke, and Tommaso Masanieollo. They are part of a series of poems titled “Last Words.”
Friday, 14 November 2008
Three Poems - Karl Koweski

Brewster and Georgie
he calls it staph infection
the livid red camel hump
jutting off his lower jaw
like a pimple of Biblical
proportions
but I call it Georgie
and pretend it is his
twin brother unfortunately
absorbed into his face during
the last trimester of
his mother’s pregnancy
Brewster tries to keep Georgie
sequestered under a monkey
pile of pus-stained bandages
he refers to it often
yet refuses to imbue Georgie
with personality traits or
acknowledge Georgie’s needs
take the bandages off,
I tell Brewster
(I can’t tell Georgie
to take the bandages off
for Georgie possesses no
opposable thumb)
you’re stifling Georgie
he needs to run free
and breathe the air you
so selfishly take for granted
but Brewster keeps Georgie hidden
as well as you can keep a
golf ball sized protuberance
on your face hidden
in the bathroom at work
when Brewster thinks he’s alone
he uncovers Georgie and
squeezes him mercilessly
you can hear Georgie’s
tortured screams and
Brewster’s contented sighs
when he leaves the bathroom
it looks as if they’ve
both been crying
Brewster says Georgie
is going away and won’t be back
the miracles of modern medicine
confounding imperfections
regardless of how beneficial
but I know Georgie
is only a dirty needle away
awaiting his glorious return
I imagine Brewster and Georgie
together again
a crimson and ivory tandem
for the leprous set
I imagine Brewster and Georgie
fighting crime
exchanging witty banter
and viscous fluids
I imagine Brewster and Georgie
in an existential love story
exchanging passionate endearments
and bodily fluids
but Brewster imagines himself
free of Georgie, free of
the unwanted stares and
whispered jokes
no cop partner
no clinging lover
pulsating off his lower jaw
hanging on his every word
a captive audience
to Brewster’s shame
Cold Cash
if I were to paint Jordan
I’d daub watercolors on silk
to soften her skin
and ease her edges
I would paint Jordan
with her back to me
the curvature of her spine
dividing the words
COLD CASH
tattooed above her ass
in Jordan’s painting
she would regard me
from over her shoulder
with eyes like
two untenanted portions
of space/time
I’d whisper my fingers
down the smooth horizon
of her watercolor hips
and recite the days
until the arrival of
my unemployment check
Sunrise
mom’s brains omeleted across
the breakfast table
body slouched in the chair
her head an empty cereal bowl
the gun’s in my hand
with the sense memory
of a pulled trigger
and mom’s dead
somehow it all ties in together
and I’m the knot
I sit in the chair across
I take the phone and dial 911
and tell them what I’ve done
mother’s blood seeps
into my shirt and jeans
wets my back and ass
I think how many times
we’ve sat at this table
me and her against the world
how she’d do anything for me
work two jobs so that
Christmas wouldn’t be lacking
and then I think how
she was before I shot her
how she wouldn’t piss
down my throat if my
guts were on fire
well, my guts are on fire
and all I needed
was twenty dollars
to ease the inferno inside me
twenty fucking dollars
to get me to the end of the day
and just thinking about it
gets me angry all over again
and I tell the cops
when they come for me
better come armed
and loaded for bear
Saturday, 8 November 2008
Three Poems - Felino Soriano
CeilingSurface clarity upon resting silence.
Dangling construction bouncing
light shadow breezes back
into the origin of surrounding
hypothetical nuances. Collection noises
rumble distanced from peered
stillness, randomly allocated along
the distinguished homes,
circa meditation within outer
destruction. Forecasted overcast
blankets the preoccupied vellum
already covering existential exaggeration.
Essence of Self Denial
Late the climate change effectual happenstance
or predetermined motive understood
beneath ledges of verbalized worldly
opining. Said of essence peel its opening
layer delicate blend the visual with prior
night's dream connotation. Preference
width layer next advancing nicely perhaps
reflectional toward self sacrifice of prior
once. Walls surrounding apprehension
a denial to progress a denial of simplistic
hands to shape future monochromatic tomorrows.
Movement Forgotten
Verbatim wind repeats its solitude
dragging alerted crawl hitherto
among the most impressive of invisible
beings, temperature cast about
net to gather flutter, conversational
data, the leaf of a cliché. Spirals
roam in the walk along sequence
of side sliding era becoming day ahead's
forgotten footprint.
Saturday, 1 November 2008
Seven Poems - David McLean

# animals that move
animals that move can smell the world turning
and they accept it as everything feeding them
and nothing, a void entirely empty of the meanings
that molest us, that touch us tremulous as uncertain
priests or amateurish perverts. animals are predators
not murderers, except the ones who are meat
and made of dreams, that the lion might lie down
with the lamb forgetting his every sexuality
and pretending to be that what he is not -
that is what is evil, not his rending claws
and terrible teeth, not his reasons -
evil is placidity is what he feeds on
# medicine and psychiatry
medicine is still regulation
and punishment. even the pills
that discipline these unruly
bodies to forget their arrogant
self-assertive sin by being loveless
nothing a while, since salvation
is exercise and mindless diversion,
'til a patient reaches those peaks
of normalcy and purity
when she is anyone, just a cunt
on the market, a cretin who believes
that even these regulators, even the
hamster masters of this new society,
this fraternal patriarchy of dickless rapists
and faithless saviors, that even these demons
know how to feel, that even they dream
# capricious god
night is a capricious god who devises life's
brutal devices, clawed fingers raking Sheol's dust
into tasty piles for these dry skulls to munch
when we decide to be that nothing
stored in piles of time and platitudinous
murders, psychopaths who bore their victims
dead with plastic axes.
the ravens on the god's sloping shoulders
are blind too, but lie so convincingly to him,
easy, they say, for he is but an idiot
and the muscles and thews of his love
bind him tight to our tortured bodies
for through us flow his orgasms
and only in our shattered hearts
can he mourn himself, this god
this self-pitying idiot, but we let him
do it, being benign
nit-wits
# ship of fools
the benches in this ship drunkenness
and delirium are wet with blood and fervent
sweat, they are ecstasy and our fingers
around the oars are empty as mourning,
they weigh nothing against the twisted
oars that tear the sea of normalcy we leave
like sound that replaces the cathedral quiet
of life, the sinful catechism is a tool for heroes,
heroines, and murderers, we love to see
exhilarated children slashing the flabby
throats of policemen and other criminals,
priests, psychiatrists and other pedophiles,
so that madness may be a throaty hopeless
orgasm burning murder in the night -
a lot of deaths we need to dream today
in the name of life
# overpopulation
flakes of sky fall free above me
and turning float through the earth
we are, they are forgetful
of their night time duties but
heaven is still written over them
largely untruthful text that
promises forgiveness though no
absolution is proffered or
required, nothing judges
or is judged but
each iterated
judgment,
the crass obligation of
elective rejection
when we tear ourselves to pieces
because we do not believe
lies that never convinced children,
about sin and the pristine
hungering penis, totem
and fetish best wielded
as weapon, swallowing god's
lead itself in all its blissful
nihilism, death's sweaty friend
that toils in the flesh-trench
until he vomits, spits his truth
in gobbets of bitter
oblivion, smaller and less deadly
than machine guns, but self-cleansing
and self-replicating, much less
deafening, they have germ
warfare as a less user-friendly and
secondary application,
and even serve an anorexic a tasty low-calorie
luncheon, they fulfill thus efficiently
so many functions,
though we forget them and us
in the self-serving categories
of selective affection,
wherein we apply these fuckers as undercover
weapons in orgiastic murderous hecatombs
and the womb's roomy suicide that fells night
tonight, the billion little death's that fill world
and earth with all this psychotic life -
it's not very nice
# of a stupid seminar
it was terrible he said that i stood there shaved head dressed all in black and raped Descartes with the utilized resources of feminist object relations theory because this was either a strap-on or a form of psychoanalysis and Descartes had not read even Freud and i stood there at a loss to see how my critique had been answered and damn it! i was rapidly losing my erection Descartes could not give me head he was obviously very dead had apparently even lost his unpleasant smell
#bye-bye, smelly signifier
the signifier is no smelly fleshy phallus
today, but a nice plastic strap-on -
vampires and zombies are my fantasies
and good at chasing away angels
and nightmares. god does not care,
and that is fine by me. neither of us
is here, neither of us exists or is real.
mankind too, we forgot how to be lonely,
we have no reality to share. reason
is still all it means to us, all it seems -
just shit - too many memories
to forget, too many orgasms,
too many deaths
Sunday, 26 October 2008
The Project - Savannah Schroll Guz

Sunday, 19 October 2008
Porn is like Pot Noodle - Sarah Hilary

Saturday, 11 October 2008
Burning Flesh - Mikael Covey
What happened was I was tired of being in love with this girl who I never told that to because I was too shy and besides she always went out with all these other guys and that hurts so bad seeing her with them you don’t wanna live anyway and especially not when you know you’re such a timid little mouse dropping, so who’d want to keep that pathetic piece of disgusting scum alive anyway. So I decided to go for broke. Get so wasted I’d never return or maybe go up to that girl and say ‘y’wanna go out with me.’At the big dancehall it’s so crowded you can’t move because if you put a couple of thousand wasted kids in a huge dancehall, it gets crowded no matter how big it is. I got no acid as usual, but combine enough chlorpromazine with speed to get the same effect but without the delusions and add as much reefer and beer as possible. I think when I fell over the wooden bench somebody’d set up in front of the band is when my bag of reefer musta fallen out of my pocket. Too bad but when you go all out, that sorta shit happens.
I see Katie there but don’t say anything to her so I guess the drug and alcohol effect isn’t quite working yet but knowing there’s gonna be a party later at her brother’s little old farm house him and another guy are renting out in the country, so there’s still time. Just have to hook up a ride out there with Zelmo and thinking fuck this shit, now that I’m totally wasted I’ll grab Zelmo’s hot little sister who’s a skinny little blonde wench not all that pretty but all that young slutty teenybopper anyone could ever want and just take her bluejeans off and forget about Katie, for tonight anyway.
But now the fog sets in. Apparently there’s a certain point in getting fucked up when you have the capacity to act outside your normal reserve, freeing the ego from the id as it were, but if you don’t act quickly, you get past that and start on the nod and just say fuck it, who cares. Don’t remember seeing Katie or Zelmo’s slutty little sister or much of anything. I do distinctly recall taking a hit of that incredibly explosive amyl nitrate and with a shit-eating grin handing the little bottle to a friend who with a shit-eating grin was handing me a lit up joint.
And they say there was this loud explosion and me spinning around with that lovely dark blue shirt I always liked, on fire now and that’s that. You have these instantaneous ideas running through your head, like fuck it man, I’m on fire and that’s gonna ruin my lovely shirt. Then in Zelmo’s old pickup truck going to the hospital, you’d think it’d be cool to ride in an old ‘49 pickup with the split windshield and antique charm but not if you’re screaming at the driver to get the fucking truck going faster than 50 mile an hour.
It’s twenty minutes to the nearest town with a hospital and we make it in forty. My arm in the styrofoam cooler full of ice that momentarily numbs the pain until I start screaming again and trying not to. You can’t know how bad third degree burns hurt unless you third degree burn yourself. But trust me, it’s bad. And wake up in the sunny hospital room with my arm all bandaged and tied upright to the railing of the bed. Ask the doctor when he walks in “are all my fingers still here” now that I’m sorta glad to be alive again.
Friday, 3 October 2008
Excavation - Vanessa Gebbie

Saturday, 27 September 2008
Nine Poems - Jeff Crouch

yolk sky sunshine eats its nirvana
++++++++++++++++++++++++++++
wilt
vulture roaded from
odorously sun
++++++++++++++++++++++++++++
flabshow
spine loaf cold cut
conducting backseat
from phonebook
marshmallow swamping
velour
++++++++++++++++++++++++++++
through
glass finger
laundry
smells clean
starch
white shirt
wiping
++++++++++++++++++++++++++++
sugar beet
her skirt loaded—
her skirt undone
by farming hand
sweet ruin
++++++++++++++++++++++++++++
Kennewick Man
Follow this road into the desert,
Hector’s corpse.
++++++++++++++++++++++++++++
von Hagens
spinning
like a rotisserie chicken
bare blade
up
and iceless eye open
skate, skate
frozen
++++++++++++++++++++++++++++
Western
“Tonight,” says the do-jo master,
“My daughter asks you.”
“What’s she asking?” asks the cowboy
“For the chuck wagon and the whiskey—,”
Missy tears up and continues—
“Are you going to miss me?”
“Gretchen’s pregnant,” says her sister.
And I think to myself, High Plains Drifter.
++++++++++++++++++++++++++++
naked on linoleum
witch of subatomic white
the tiger fluorescent
remains a bad haircut
++++++++++++++++++++++++++++
Friday, 19 September 2008
Memento - Joseph Ridgwell

Friday, 12 September 2008
Body - Fiona Barham

Wednesday, 10 September 2008
Hemingway's Dick - David E. Oprava

Sunday, 7 September 2008
Return Of The Congenital Pilonidal Dimple: A Love Story - David E. Oprava

Friday, 5 September 2008
Congenital Pilonidal Dimple: A Tragedy Of Pilosebaceous Glandular Proportion - David E. Oprava

Wednesday, 3 September 2008
The Womb Garden: Part Six - Max Dunbar

Urge to come to terms with the "Outside," by absorbing, interiorizing it. I won't come out, you must come in to me. Into my womb-garden where I peer out. Where I can construct a universe within the skull, to rival the real.
Tuesday, 2 September 2008
The Womb Garden: Part Five - Max Dunbar

Monday, 1 September 2008
The Womb Garden: Part Four - Max Dunbar

Sunday, 31 August 2008
The Womb Garden: Part Three - Max Dunbar

I really do believe that there is a tremendous amount of optimism, goodness and love in the world and that it is under-represented. But if you do feel it and experience it then you should write about it. The dark side is always dominant. What is the nastiest thing that has happened to me? What is the worst thing I can imagine happening to me? What were the worst three days of my life? Ah. I shall write about that. It is a sort of sentimental conspiracy about violence. You write a play about a soldier going AWOL and stabbing a single mother and they say it is a searing indictment of modern British society. It has never happened once in my entire life. Whereas you write a play about a guy falling in love with a girl which happens a million times a day in every corner of the world and it’s called blazingly unrealistic sentimental rubbish. It has always been that way.
Saturday, 30 August 2008
The Womb Garden: Part Two - Max Dunbar

Friday, 29 August 2008
The Womb Garden: Part One - Max Dunbar

Friday, 22 August 2008
His Story - Melissa Mann

Friday, 15 August 2008
Three Poems - Haidee Kruger

the Body rearranges
itself around
the other. points of entry and exit,
embraces. Embraces. the
thrill of skin. density
surrenders to Liquid. semen, blood,
mucous, milk. the Body yields to
its double. it takes One into,
lets One out. it breathes only
in reflection. in between,
the Body grows into
the swell of a question mark. then.
Then.
pain pinballs echoes,
cell to amnesiac cell. the Past fleshed
unexpectedly. the Body
is a superconductor, pure
light leaping. Time pours
out of it, a warm rush of
presentness. Inhale. the beating
world. Exhale.
Again. Again.
Again.
and after
the Body shrinkwraps
loss, ties it with red ribbons. the Body
rearranges, leaks, empties
itself of
Itself. demands to be
mopped up. staunched,
stoppered. yes. Yes.
the Body returns to
the shape of a comma. a breathless
Pause.
slipped for sliding . to find
the sweet damp fleshy knot of
knickers , stomach , tongues , you need
the chafe of loop over cord ,
noose over wrists , nylon down legs ,
body in body – bent tautline underhand slide
into bliss . however ,
once doubled over
itself ( slipped , stoppered ,
dressed ) the seam sets into
calloused bight , forever
looped , spliced ,
hitched right down
to the bitter end .
Friday, 8 August 2008
A Shape - Sarah Stodola

Friday, 1 August 2008
Finding Lunula - Kevin O'Cuinn

Thursday, 24 July 2008
4 Poems - Ray Succre

Dick
In marrow and hook-tongue more a minister than a man,
and he could dance, consuming brains,
and enchant the holes from even mild, less-tormented ladies.
He wore an uptaking cock in the natural boast
by which fuckers of so many nations toyed historically—
such people were boys, each feathered in said-vulgar surplus,
as we often obtain and take hard, give the harder.
It is a great assembly, fuckers—
Poise, counterpoise, poison, counteract,
sex as people gather lusting, tits as tit-barons tryst in view,
twisting with any new day.
Did he stick it into wicked custom all these years?
The world turns, to her he turns or else,
therewith, thereby, therefore.
Anatomy and Turned Milk
Near dawn, when first I drink the milk,
my surprise is but tertiary—
Have I ingested a urine?
Platelets in a redly champing sauce?
No, cow-berry fluid, mucoprotein,
but too thick. Turned.
There are tribes that leave their dead laying sick.
They drink animal milk, too.
The sheriff wakes up in my tastes
and his dorsal aspect shows much tread.
I clutch.
He has walked miles by the thousand,
in me, tasting things,
looking for his tin, insignia star.
He looks intima, media, adventitia.
Sour.
I turn on the lights in the milk in his squad car,
and soak up shivers from a cold corona radiata—
_Sheriff in lungs, inferior aspect:
The shoots creep near to closed. Poison
is waving hello. Can't I breathe?
over the bloodways. Can't I slow?
_Sheriff in stomach, anterior view:
He lifts the fluid, Atlas starting up;
it runs through his fingers until he
closes them and paddles it up the chimney.
_Human throat bundle, longitudinal section:
The surf rises, a zippery lift, can't I... can't I...
A straw's slow elevation from a pit
of glass-encased fizz. Then eject,
the whole flippered jug upended,
emptying my guts from as from
a deft kick in the prostatic collecting trunk.
For anatomy and bad milk,
and life in the morning,
and life after.
Eating from the Froth
These crabs sidle a peculiar, stained rock
and recall my mother in me,
from a tangled drowse.
Each split, affrighted claw is a memory
from the sucking reef.
I thought to shingle my youth’s shed
with dry bone, shuddering her presence
into a sack of sleep— they come
from the floor, see. It’s never dry.
These fucking crabs beneath my nails,
under my lids, climbing my hoisted spine
and eating from the froth—
I have to wear them all?
The memory of her, my first endurer
swarms sudden like flies from a warm skirt.
I was born in July, or rather extracted
like a molar, Caesar’s method, and cancerian.
There she is. Brown hair, long.
Until she vanished into an unknown volume.
These crabs are the flits of a thin mind,
scuttling and gorgeous, secretive, motherly.
There she is.
Propellers in a Gale
Sprayed rim of a month
talking the notion
tick tick
“I want to have a baby.
Do you want to have a baby?”
auburn lips and ignition
more brass than gold
one minute has passed
we haven't made a baby
tick tick
“I want to. Several.”
the baby the babies but
what lives in this layaway
is by no matter a being
and shrubs in small boxes
ought not invite forests
tick tick
we have somehow set
alarms to wake us
despite foreknowledge
that cloaking our minds
does not make them
any craftier
tick tick
but she
“oh, don't we want to have
a little baby?”
tick tick
these panties full of names
one minute has created another
we haven't made a baby.
Saturday, 12 July 2008
Body Shots - Yu-Han Chao

The skin prickled with beads of water,
or sweat. A sweaty butt. The candle
blushing in the background.
2
A groove down the back. Shoulder blades.
A curved ass, pointy elbow. Smoothness.
3
Turn the torso, breasts point in different directions.
Square nipples, rounded ribcage,
square knuckles. Belly button a teardrop.
4
Bit of a blur. Round tits, one of them
staring, a bit rude. Belly button laughing.
5
Back. An hourglass, mane, deep groove.
A hint of a crack, a hint of a heel,
a hint of the front of a knee.
6
Overflowing candlelight. Strands of hair.
Wrinkled water and light spots on the body.
A crooked heart.
7
The right breast is a star, illuminated by
radiating light. Soft lines, round, dark nipple.
Kneeling very straight.
8
Standing now, posed, open, light in crotch.
A smooth, glaring light-bush.
What's above and beneath fade out.
9
Strange angles and lines from the belly
to the thigh: straight legs, curved tummy with
connect-the-dot outline.
10
Leaning, balancing, falling. Thick thigh-
tops dripping upwards to tip of teat.
Dark body-lava and knee-calf.
11
A distorted butt, large as balloons,
like pigeon-toed maracas;
from downwards-up, cock-and-balls.
12
Dark chin, pouty nips. The right
clavicle on fire.
13
Shield the light; diffuse glow.
Back folded like the beginning instructions
of an origami piece.
Monday, 7 July 2008
Wired: Part One - Vera Chernova
I look up and a hyperbolic light bombards my head from the tops of trees; then sequesters into holograms and sensory simulators. Black, dead space of an unfathomable size drapes around my finger. It makes me want to slit my fucking throat.
During our rather abrasive colonization of space, some of us install duplicated reproductive systems to demonstrate fecundity as an instinctual reaction to the exponentially plunging birth rate. Although you can say we colonized space as much as the white Europeans colonized black Africans. It’s also a matter of adaptation—malaria and cholera for chronic depression; incomplete knowledge of physics for linguistic miscommunication; lack of food for lack of food because nothing grows in this place—just pieces of metal crashing into fragile pressure pumps broken off the diseased whore that bore them. For the sake of historic precedent, I honestly believe our dark outer space will also rebel against this pathetic hegemony, and go on to become its own warring nations, oppressed people, and cruel dictatorships—on an atomic level. However, this time, we have nowhere to go back to.
The trade-off is at the mechanical level. There are lasers undetectable by the human lens that are hypersensitive to minute deviations—the slightest air vibration could disrupt the sol-gel; while the giant dreadlock wires, where they’re housed, mirror-coated on the inside, are sometimes too heavy to lift and disentangle. It takes a smart mechanic. A strong mechanic. While they mould their bodies to preposterous proportions, I bear the burden of contemplating how brittle our system is. At absolutely any moment, we could be slowly leaking oxygen; our computers could go dead; we’ll stumble on a pot-hole vacuum; or someone up in the chain of command—some brilliant, sensitive intellectual will embrace neurosis in some justifiable metaphysical ideal, making his way into the intaugumentary power plant and breezing by the security maintenance, for the purpose of cutting a 3mm-wide wire that will expedite the heads of newborns to the expanding corners of the universe. They’re damn lucky I didn’t pass the psychiatric evaluation for an authoritative position.
Personally, I prefer to take ecstasy and swim in the ocean, face-up to the sun.
Surfing, hiking, rock-climbing, sky-diving, camping, snow-boarding, swimming.
I don’t know how many years worth of salary went into this. Not into the trendy double-vaginal canals—although money has a slick way of disappearing in there, even if there’s only one. I, on the other hand, love the rapids of the simulated Colorado River kayaking; rock climbing on the plasticized terrains of Utah, sprinkled evenly with red brick crumbs that rub off on my palms as I smell the inner city ghetto trapezes, which often times than not, ruins the mood. At the very top, they seep oxygen out of the room and I feel the feather-pluck of adrenalin, so I forget. Euxiquio is at the top, spotting me with his muscular legs. He has a turban wrapped around his head so the ultraviolet doesn’t fry his little, white pussy. He looks like a Turk from my parallax. My life’s in his hands, but it would be easier if he had helped me those years ago with a place to stay when I needed it. In our world, there aren’t benches or parks to sleep in; that’s an entirely different hobo fantasy that people pay good money for. Now, he’s holding me up and we’re friends again.
I inhale the red dust and it makes me cough and my eyes water and swell, so I can’t see anything. The inside of my mouth starts to itch—gums around teeth. My foot slips off one of the mountain studs. I’m strapped like a starfish. Euxiquio’s screaming, Hold on! What else can I do? Death’s down there. It will rupture my heart. Funny the way that works: When a child is born, one ventricle and one atrium shut down while the remaining pump blood to the lungs and support the respiratory system. In that first minute when the baby takes a breath, the lungs open, demanding oxygen, so the heart breaks and re-arranges itself in origami. So, too, going into death. Many have died like this—fallen off these holograms. The heart breaks like a pomegranate.
Euxiquio scoops me up like an eagle a field mouse; or the monolithic jaws of a crocodile carrying new hatchlings to the safety of the swamp. We’re panting under the merciless pangs of the virtual effects that congratulate for reaching the top in effeminate monotone. It asks us to resume the setting for the climb down.
“That’s enough,” Euxiquio hits the big, red, lobulated clitoris on the control panel, that says STOP! The tapestry of scenic flesh degenerates. “You scared the shit out of me, Andy.”
“My teeth are itching, Euwey.”
“Your teeth are itching?”
“I think it was an allergic reaction.”
“Fuck. Oi! Have you heard of the tent they came out with?”
“Yeah.”
“I just bought it.”
“Me too.”
“Have you tried it?”
“Not yet.”
“Of all the people—I thought you’d be the first to have a go.”
“I’m waiting for the right occasion.”
“A girl?”
“Are you kidding? Vacation. My first one in two years. It’s going to be big. Two weeks.”
“Alone?”
“Yup. Just me and the howling stars.”
“You’re insane.” Euxiquio runs his hand over the ground and fingers the metallic dust that illuminates under the scathing light. It’s colored grey, or black, or white, or silver, like everything else on this giant chunk of metallurgic labyrinth that provides shelter to human life. “Could be anything. You’re the techie. You should know.” he says.
Euxiquio’s father is a senator. I met him once. Ptolemy Euxiquio (after his grandfather) Xerxes. Name worthy of such short and corpulent stature. Scream that during sex. Like a miniature decorative dog—they’re real nervous things. But, he passed the psychiatric evaluation. I’d love to say that he’s an irreverent demagogue as unforgiving and predatory as space itself—and his eyes are empty of rectitude and he does nothing other than sit on his post and theorize. Unfortunately, he has quite a bit on his plate—a lot of people have been making complaints. Recently, people have been making telegraphic threats. Toxicity is rampant. Rattlesnakes under the bed. Scorpions in the slippers. I can feel it in the wires. If there’s ever an outage, it’s usually from a source of vibrations. Perhaps it’s the entire mental procession of the people that vibrates these walls. These paper-thin, deathly-dense walls. If you press an ear to one, you’d hear the ocean. I love the feeling. It’s nothing. These things subside. A Glorious Revolution. One drop of blood; one fight; one fart in the wrong direction and there’s an entire outage throughout the department. Hell, once the hood stopped working and they called me in to fix it. This aerial toilet that sucks the air and ventilates it back out so that we don’t suffocate in our own sulfur.
We had one conversation before our session finished.
Euxiquio was nervous. I could tell. He doesn’t go out with me often. He is short like his father, but strong. Years of holographic rock-climbing, indoor sports, and vitamins has made him Spartan. He is opting for marriage to a likewise bumpkin.
Lucky bastard. Women are a commodity here. Only natural birth is legitimate. Euxiquio focused his eyes on the transparent oblivion of the ceiling; something’s up.
“Listen, Andy—Lysander, I want to talk to you. Seriously.”
“What is it, Euxiquio?”
“Have you been hearing anything strange—in the walls—the wires. Do any of the other techies—I mean, your colleagues, do
they say anything to you?”
“Of course they say things to me.”
“What do they say to you?”
“They say things like,” He leaned closer, “I have an important mission for you… there’s been a chlorine leak detected in sector
57.” And I started laughing, but Euxiquio’s eyes were savage with space.
“Fuck you, man. I’m serious.” He said.
“Don’t be like that, Euwey. I’m not sure what you’re asking. I don’t know how to help you.”
“Sorry. It’s just that my dad asked.”
“Then no. I haven’t heard anything.”
Tuesday, 1 July 2008
Wired: Part Two - Vera Chernova
Can’t wait to come home to my baby.I’m going to pull each of her straps up as high as it can go, until the straight taut string sensually stops the circulation, lifting her up off the floor; dangling delicious. Then slice it rambunctious releasing the tension. I’ll hear it smacking against her sides. Pinching poignant.
When I lay her out on the floor, she’ll be complacent. She’ll stare at the ceiling like a rape victim; no eye-contact, as I run my fingers up and down; then I’ll tear the covers apart with my teeth and expose her to the cold air. Flip her over and do the same.
I’ll push all her buttons.
I’ll blow her up so good, she whistles.
I watched the square meter cardboard box and admired her figure. Robust. Tight. Young—fresh from the factory. Voluptuous, from various angles. Damn! She puts the ass in hourglass.
I kneeled beside her.
Put my ear to her side. No heart beat. Just the ocean. I love it. I could hear my heart accelerate and wrench the muffler.
I stood up.
I went behind her salutary label and gave her a good slap. I lacerated the adhesive with my identification card. The flaps of the cardboard box deflowered. Styrofoam smell like bitter rubber aphrodisiac. I looked inside. She was packed in more tight than a hydrogen bond. When I pulled her out, she was bustin’!
I laid her out on the bed. Wrapped in clear cellophane, from head to toe. Mouth hole open. Bubble wrap like caviar. Pops so appetizingly between my fingers. Get each and every one of those little bastards. Like welts, loaded with pus; combative.
They squeal like oysters in boiling water.
Then I tear the plastic, and there she is in all her glory. Rippled, plastic, metallic, navy blue.
My tent.
And her manual is at the bottom, along with the remote. Buttons labeled with numbers and letters. Combinations perform tasks. Reenact the battle of the bulge. Solve differential equations. Copulate orgies of molecules.
The only real place to take her is outside the living quarters. That’s where I’m going on vacation. For two weeks. She comes with a wireless autopilot that can navigate in outer space—like a rowboat in the middle of the ocean.
Cool, huh?
Every day, after work, I read one utility at a time, counting down the days to my vacation. Somehow every single morning, in self-consuming labor like an Aztec god, and what breadcrumbs of the day are left in twilight are spent preparing for the next morning—continuously, without a break; without hope. But, vacation! One or two weeks allocated to your disposal. Suddenly, everything is forgiven. Life is worth living again. Two weeks supplant a lifetime of servitude. We are all cheap and stupid. At least I have her with me. She makes life livable. She gives power massages and oxygen deprivation at the same time, while chilling a beer. Everything, short of a blowjob. That’s my baby.
I keep her in the closet, thinking: What is more beautiful than the abstract female symbol of a tent? Her shape is a womb is a triangle. I want to be inside her. Look out at the cold dark space expanding gigantic. Not dying, not living. Just space. I reach inside her and it’s dark. I can’t stretch my legs out; remain in a fetal position.
There’s a knock on my door interrupting my session. I get out of the tent. Even if I open the door just a crease, he’ll see what I’ve been up to. She’s on my bed. She makes squeaking noises under my feet. I let all her air out. I cover her, decently.
It’s Euxiquio; he looks worried, uncomfortable.
“Andy, my man. I have news.”
“Euwey, my brother.”
“My father wants to invite you to dinner.”
“I’d be honored to come. What’s this about—what we talked about last time?”
“Yes…I think so.”
“I’ll be there. I have nothing to hide.”
“I didn’t say that you have anything to hide.”
“I know.”
“So, I see you’ve been testing out the new tent.”
“Yup.”
“How are her circuits?”
“They’re good. Don’t you know? You have one.”
He could feel the hostility in my voice. Its semantics protruded subconscious.
“I haven’t tried it yet. I see I’m interrupting something.”
“Not at all.”
“No, I have to run, anyway. They’re having a meeting in sector 39.”
“Goodbye.”
“I’ll see you, then.”
“Of course you will.”
When have I chanced to be the main course for the tastes of a political liaison? This can only mean one thing. I’ll be forced to put on my best—my tightest—spandex spacesuit, like a scuba-diving monkey. The only animals I can’t stand to think of are monkeys—they remind me too much of human beings. The only sport I can’t stand is scuba-diving. It reminds me too much of space--dead, dark, deaf. Although it’s the opposite: As ejaculations of prokaryotic debris float in living water, unashamed, into every orifice they can penetrate, while space is barren; as the cubic tons of volume implode grape-like bronchioles like winemaking, instead of exploding the lungs and the rest of your anatomy, bite-sized into the jaws of the void.
I sit down on the bed, careful not to graze her brazen circuits. She buzzes a little as her nightlight flickers. She’s winking at me. She lets air out quietly as water. I look out the window. It’s nighttime. Always.
I lie back down in her belly and turn on residual depressurization. Let the oxygen seep out as high as the Andes. She will trace my REM sleeping pattern and monitor my heart rate so I don’t wake up with a migraine.
The next night, I had no time for her after work. The spandex spacesuit pinched the hair on my arms and corseted my balls. It made me stand up straight. One can only look so undignified with a great deal of pride. I smiled into the mirror and it broke.
The dinner table was set gregarious, but I tried not to show my enthusiasm for such a crystalline assortment. The senator Ptolemy sat at the head. His wife sat beside him—tall, beautiful, stately—but I couldn’t trace the hint in her smile or eyes of a duplicated reproductive system. Euxiquio sat beside me, waiting for his father to talk.
“Thank you very much for coming,” said the senator, fingering the stem of his wineglass, “I’m glad you can appreciate the urgency of this request. Makings of a true patriot.”
“Sardines?” offered his wife, Lucretia. Fish. I’ve only read books about it. Their morsels shone splendid in viscous yellow liquid.
“I’ve never had one before.” They were an acquired taste, I thought, swallowing the crushed mass and backwashing it with
wine.
“Now, Lysander,” the senator said, “I realize that you don’t exactly snoop around your job, but I—and the other senators—have been concerned about a rebellion, from inside the system. I realize that the hours are long and the work is hard, but it’s indispensable to keep this society running. I have to work just as long and hard, if not more so, to maintain peace and make sure everyone gets allocated a fair amount of vacation time. You have to agree, this isn’t exactly a dictatorship. I’m not the bad guy. The human race is only trying to survive out here. Do you agree?”
“I completely agree. I don’t know, senator. I never really thought about it. I realize you’re trying your best and I appreciate it. But I’m not involved in politics. To answer your question, I haven’t heard anything at all. In fact, this is completely new and surprising to me.”
“No one’s approached you?”
“No.”
“No suspicious behavior?”
“Not at all.”
“So, what do you think?”
“I think people look out into this void and become lonely, depressed.”
“Of course, that’s only natural. However, I was talking about the system we have organized here. Is it productive? Is it
progressive?”
“I don’t really think about it.”
“Do you like it?”
“It’s fine.”
“I know once you tried to enter the field yourself. It’s a shame. You’re a very intelligent man. And my son’s friend.”
“I didn’t pass the psychiatric evaluation. But, I’m not bitter about it.”
“You could always try again.”
“Nah.”
“Well, alright, Lysander. If the great human race perseveres, then my work will be done. Satisfaction and patience must be maintained. Now. Let me ask you this. Since you have my audience—me, sitting in front of you—what would you change about the system? Speak for the people. You could make a difference. I am always open to criticism of our constitution. I’d appreciate the input. Is there anything that particularly bothers you?”
“Do you do any hologram sports?”
“Yes. Golf.”
“Have you been to the Utah rock climb?”
“Can’t say that I have.”
“Well, besides the simulators, they sprinkle the surface of the wall with a red powder—it’s not really red—but when in play mode, it is. It’s sandy. Reminds me of brick, a little. It gives me an allergic reaction.”
“So?” The senator’s heavy eyebrows flummoxed.
“One track mind, this guy.” Euxiquio rolled his eyes backward like lottery balls.
“Can’t you do something about it?” I whined.
“I suppose I’ll look into it. Why—did you get sick?”
“Don’t listen to him, father, he’s just being—”
“Euxiquio Ptolemy Euxiquio Xerxes. If this is important to Lysander, I’ll see about it. But. Tell me, is there a chance that someone can manipulate the system? From the inside? From the wires?”
“Look senator,” I was annoyed, “I work with the wires. I know how sensitive they are. The people that work with me know it too. There’s absolutely no fucking way—pardon me—that a rebellion can happen. Think about it. Every day, we’re swimming in a sea of instability. Any time one of the wires goes out, we’re on the brink of death. A rebellion would completely destroy us and isn’t the purpose of rebellion to make way for a new life? Give them what they want; negotiate. I’m sure it’s all just rumors, anyway. Honestly, that dust is what really bothers me. Especially on my favorite climb. Anyway, I swear if I heard any absurd, suicidal talk about rebelling, you’d be the first one to hear. I’d come straight to you.”
Of course, the next morning the IFC, or the Intergalactic Freedom Coalition—as they called themselves—informed me of their plans to mutiny the senate and overthrow the governor on grounds of incompetency, favoritism in rationing, negligence of the public, famine, abuse of labor, cronyism, in other words, the usual; by means of intercepting a supplies crate from the outside, in economic, bloodless recession… and when I asked the details of such an auspicious operation, they emphasized secrecy, but hinted at the ingenuity of the “plan” with the smitten faces of idealists and propagandists which I could equate to the black-and-white daguerreotypes I’ve seen, depicting war on earth. Then they cornered me with predatory stares, with one hand on their hearts, and the other, on a manual nuclear solder, and said it would be solely my choice to join them in their struggle. I said I’d think about it only because I didn’t want to die before my vacation.
What a day! I come home and take off my shoes near the sleeping tent. The window of my cell reveals the perpetual. For once, I’d love to see a cloud or a tree, although I realize the previous generations of humans weren’t always so lucky. Especially when I read Hemingway. At least I can say that the stars and galaxies look like…a flower field of white…lilies, phantasmagoric and…acaulescent, wrapped in a golden zenith…of a halo…like brilliant zephyrs, and…cosmic titans…whose light doth…elucidate the, the, the…destiny of man in the intricate calligraphy of…portentous constellations…and having…eased the souls of humans for eternity and a fortnight…exhausted from consciousness…and having eased the soles of humans, for a seeming moment, in dreams, exhausted from life.
Saturday, 28 June 2008
Wired: Part Three - Vera Chernova
Tomorrow is the first day of my vacation. Today was the last day of work.They nudged and they nodded; they winked and they whispered; they even threw me an intergalactic gang sign, which had a grotesque twist with six fingers. Yet, it came from the congenital anomaly of a co-worker, not evolutionary de-development. He was an old guy named Achilles. Real pioneer with these wires. I’ve never noticed his six fingers. I’ve never noticed their cowed expressions. In league for months, years. Was I under the sea; in outer space?
But to hell with all of it! Tomorrow and for two weeks, I can forget about all of this. Better yet, if the rebellion goes well, sites will be closed, and I can have a prolonged vacation.
All I could think about was the way pine needles and the fresh ground—soft soil and sharp rocks made me feel alive; pleasantly antagonizing and teasing the nerves—bare feet more exposing than bare genitals; how easy it was to fall asleep, at a high altitude, on a full stomach, to the monotonous inflations of birdsong. Living, breathing ecosystem, an unsheltered cradle. The tent will do all this for me.
I can’t wait to take my baby out for a ride.
“Have you thought about it?” Achilles asked.
“Yes.”
“Are you with us?”
“That depends.”
“On what?”
“On your plan. How viable it is.”
“We can’t tell you the plan until you’re with us. In order for that to happen, you must be marked. I’m going to call the others. But we’re all friends here. No one else understands what we do,” he reached for the nuclear solder.
“Don’t. Tomorrow is my vacation, anyway. I’m not going to be here for two whole weeks.”
“Vacation. That’s tough luck. What were you planning to do, kid?” He was handling the burning solder.
“I’m going camping with my new tent.”
“Vacation, eh?” he said, “You enjoy, then.”
“Thanks. Good luck.”
“You too.”
The fact that they let me go meant it was all out of my reach. Thank god. I’m the scared woman that watches a battalion marching through the city with a handkerchief around her old face like a tent, making the rosary and praying: Thank god. Thank god I’m not one of them, and I don’t have to fight, or kill, or the opposite….
I’m coming baby. Don’t you worry. Daddy’s gonna blow you up nice.
I was so scared they wouldn’t let me go. I kept looking at the clock like a water mill, milking time. I watched it once for a full hour, as the minutes accelerated zero to 60, with a poker face.
I came home and I blew her up so nice, I thought she’d pop, but didn’t. Quality. I ran my hand over her walls. Frictionless, impenetrable. A work of art.
It was evening and it was already dark—as if it ever wasn’t—and I wanted to be on the road; out in space—in her arms, as far as she could take me. Hibernate in her lull of illusion and simulators—the most realistic up to date. Then I saw the grim stance of a shadow outside my cabin and the dreaded knock quoth itself upon my door. It was Euxiquio. He was out of breath.
“The tent!” He cried. Yes, cried. Red. “You have to destroy the tent. They’ll—I don’t know what they’ll do to you if they find it.”
“What’s going on, Euwey—what happened?”
“The rebels. They’ve attacked!”
“I don’t care! I’m on vacation. I’m going out right now. No one’s hurt me because I’ll be out there—bobbing around in space.”
“You don’t understand. They’ll kill you. They’ll shoot at you. They’re in the tents.”
“Who’s in the tents?”
“The rebels are in the tents. They’re aiming to highjack our supplies.”
“You’re kidding.”
“I’m not. So give me that fucking thing. Deflate it! Put it back in the closet—in a bag or something. You can’t go anywhere.”
“Fuck you, man.”
“Don’t be like that, Andy. That’s crazy. That’s suicide.”
“You won’t tell your father?”
“Of course not.”
“You promise you won’t tell anyone?”
“I promise. I love you, man. Don’t do anything stupid. I want to watch you deflate that thing.”
“No.”
“Why not? Do it! Now! Or I swear I’ll tear that fucking thing apart.”
“Relax, Euwey. I’m not going anywhere. I only want to lie inside her for a while. If I’m not going out there, then I’d like to just lie down. I need it. I just came home from work, and, you know.”
“You’re fucking crazy, man. You better deflate that thing right now.”
“Yeah. Thanks for letting me know.”
“Just don’t take your time. I don’t want them to find you like that—You’re like a brother to me. Promise me you won’t go out
there?”
I promised and he left. I pulled my knees in tight to my chest and hid my head between them. Slowly, I relaxed and stretched diagonally like a primordial serpent that uncoils from hunger, about to hunt or give birth to the world. I sympathized with the senator, Euwey’s father, who did nothing wrong other than lead a public life, because he was my friend’s father; and I wish I could’ve done something to alleviate the grievances of the people who showed me my craft—how to ringmaster these strange anaconda wires that crawl and pulsate and hiss energy throughout this place. That place. It was the most beautiful thing in the world, that place. It came into view as I drifted farther apart. That’s what the rebels must have seen as well. I wondered if they felt sorry, but were too proud to turn back. Perhaps they felt even more enthused for the cause for how corrupted, in their minds, or otherwise, the place had become, and they floated on, in their tents, the way fireflies fly through the night air, and over the dark water, and everything is one perfect homogenous, organic, natural black. We popped all over, inadvertently, intermittently, in a perfect mathematical random pattern, which is what made us all so beautiful. I didn’t feel the oxygen deprivation, and I didn’t need holograms anymore, and I didn’t care—didn’t wait for them to shoot.
Saturday, 21 June 2008
Waveson: A Monologue - Jo-Ann Whalley
Goods floating on the surface of the sea after a shipwreckMy lover will leave me tonight.
I know this as surely as if I had read it in the whorls and wrinkles of my water-logged skin. The soft rush of waves across sand echoes it back to me and I hear his valediction in the shriek of the gulls wheeling away towards the rubbish dump.
My lover will leave me tonight.
Fathoms
The length of a man’s arms around the object of his affection
It is as ineluctable as the tide, this movement of our desire. We have slipped innocently through shallows into the chop and shift of deep water, pulled by the rip and undertow of passion. We have bathed in the salt sting and drenched ourselves in the fluid wash of sex and words.
Limbs must be separated if one is to stay afloat. It is too hard to tread water with arms and legs entwined. Twinned bodies drown under their combined weight. He will raise his knees and kick me away, and all the grasping flailing of my arms will not hold him.
My lover will leave me tonight.
I will squirm upon the boning knife of his betrayal, gutted and filleted by this leaving of love. My flesh cold and still upon the steel of the blade.
If your breath should touch me, raise hairs upon my nape, my skin will split and I will slide peeled and new down to the dry soft sand. The stinging grains clinging to my wetness, scouring the corded sinews.
My lover will leave me tonight.
Becalmed
To be left without wind and thus without the power of movement
I have done a foolish thing. After speaking on the phone I went online to his Website. I wanted to feel that connection with his work I get when I listen to him speak. A childish whim that has left me hurt and bewildered. She is there in the photographs of his paintings. Not her alone of course but here and there throughout the site I see her, staring out of my computer screen enmeshed and entangled in his art. Her image is like a promise or a threat; still and perfect and immovable. I obsessively search through the images, counting and cataloguing her appearances. There are several where the face is obscured or turned away. I am convinced that each of these ambiguous portraits is her, must be her. That line of shoulder blade, those lips or cleavage, each smooth white angle holding his avid gaze. Hot angry tears burn my eyes but do not fall.
Things do not arrive gently. They slice into me – such immanence to every moment.
I hold this feeling, this anticipation of a feeling, the edge of an unknown emotion. The trembling moment hovers, tiny dips and shifts from left to right, as pregnant with motion as the upward tremble of raindrops on glass.
I am a scale of thought and skin. The bones of my hips ache for the touch of my lover’s hands. They echo, resonate, are hollow with longing – they sound the vibrations of my desire in long deep tones.
Take up my bones, pick clean the flesh and drill down to the center, where the marrow has dried to dust from your absence. Place your lips to the jutting blade of my hip and play the breath of my sorrow through the length of its frame. I am an instrument of longing.
Heart
The inner yarn in a strand of rope
These things must take the form of rituals, little ceremonies of repetition and return. In this way we reaffirm our desire for each other. It is through the minutiae of our interactions that I am able to continue with the possibility of love.
My lover walks into the room and all eyes turn to him. He is both innocent and conscious of this sudden interest. Later, when I quiz him, he turns his blank gaze upon me and blames his white hair. This sudden lull in the conversation betrays the electric ripple of desire that follows him into the room. He carries an internal gravity, his presence so solid he seems to drag the air behind him as he walks. I follow; my hand lost in his as the crowd near the bar cleaves before him. They part like water; liquid as my thighs on the balcony of his apartment an hour earlier as he fucked me from above, my long fish-hemmed skirt thrown up, stocking slick legs spread wide. He kneels before me and the moment before he enters me is exquisite with anticipation. Standing demurely at the bar I glance down and notice the white of dried semen powdered onto the black cotton of my skirt.
There is a woman at the bar. She is vaguely familiar and I stare for a few moments trying to remember where I have seen her. She smiles at my Lover and her face is suddenly known to me. I have watched her review movies or introduce Nature documentaries on television, I can’t quite remember which. Her gaze drops to our linked hands and her smile disappears.
Chain
The formula for the safe load of a chain
D=√9W or W=D²⁄9
This is the ocean. Or perhaps it is a sea, a small part of a greater salt whole. It is a linkage between land and land. Cold water mumbles gently against the beach. Tiny flecks of volcanic sand tint the shoreline grey. It is night and the water is black satin. Lights from fishing boats move in a string along the horizon dividing sea from sky.
The woman faces the man across the chipped laminate surface of a table. Bent metal chair legs dig into sand. The man and woman face each other through the soft yellow glow of candlelight. A moment before their fingers were joined, entwined on the gold splattered red laminate table top. One hand covering another. They watch as air currents move the flame of the candle.
My Lover’s lover is not me. She is my shadow, the unknown scent upon his pillow. I breathe her in as he enters me, my face turned away from him, buried between her absent breasts. He has told me only this; that her breasts were ‘magnificent.’.
To say she is blonde is not to do justice to the Nordic whiteness of the long straight hair I once found in his bathroom. Staring at my reflection I wound the pale strand around my fingers. Cupping my own small breasts I searched vainly for cleavage and longed for the heavy magnificence of blue-veined breasts and long blonde hair.
Her being is known to me through these three things; her scent, a strand of hair and the story of her breasts. She carries the cargo of his emotion the way he carries mine.
We are a chain of desire.
It is not, as you might think, only the points of intersection that define a chain. Much depends upon the shape of the links. Direction too is important. To obtain the greatest resistance the sides of the chain must be kept parallel to the line of strain. There is a formula to determine the safe load; how much can be borne.
Lost day
The day which is lost when circumnavigating westward
Here be Dragons. My love you come to me with teeth and fingers, tearing, rending my flesh and heart. I am consumed, and marked by your passage. The sand prints of your hands splay blue across my bones. I am wound as tightly around as canvas. My limbs pinned and locked beneath your gaze. Devour me.
When we first said “I love you” – you lied and I lied and yet we both told the truth. She was unknown to me in that perfect moment and I was free. I am an anchor chain in the tumult of the storm – one touch of your hand and I will snap – be lost beneath the waves.
As he enters me his thumb slides between my lips. I suck the nail towards the back of my throat, feeling it scrape sharply against the soft palate. My legs wrap around him, locking him to me and we rock on the white deck of the sheets. I am full, my mouth and throat almost blocked with the length of his thumb
The Bitter End
The last part of a rope of chain
Why does this pain come in waves? Is it to render it bearable, to allow the catching of breath between each violent swell, this surge of agony that breaks the desolate shoreline of my chest?
Washed on to the sand of this strange new world, I lie drenched and tangled, caught in the ghost net of our love.
I would cast off my skin by moonlight if I could, sinews, muscle, bone exposed beneath her frigid beams of light…cast off my longing as a skin of unwanted mortality. Live soulless beneath the icy gaze of moon and stars. Like the sirens after Odysseus’s escape I long to drown – Give up my feathers for scales, exchange these endless eddies of the air to float within warmer currents. Replace the harsh abrasion of the air to swim within the comforting cradle of the water.
I am uninhabited.
Thursday, 19 June 2008
Kneeless - Lee Klein
Responsible for so much ache, kvetch, ouch from leg to mouth, the war between cap and pit began when he associated the scar down father’s knee, an injury sustained twenty years past, with the zipper of skin along Frankenstein’s monster’s neck. This led the impressionable boy to open the fly on his prepubescent jeans, which when down, emitted clangs of foul warfare warming up, a battle that simmered for thirty years, till hostilities began when knee cap and knee pit claimed possession of patch of neutral flesh and bone between the two, a clash prophesized long ago when he opened his pants to pee and heard high-caliber battle blares, sounds understood when battlefield turned to excruciating jelly so many years later. Oh the war between cap and pit, the ruined hinge between hip and foot, the right angle of despair, the cracked crook, the jangled joint. Oh ugh! The hurt! The limp! The gimp I’ll be, he roared. Assured of a lifetime of leapless rehabilitation, thousand-degree whirlpools, obscene wraps and braces, obesity, diabetes, death. The war between cap and pit, miasmatic displeasure and a lifelong disparity of sex appeal. Who admires the H along the back of springtime knees? Only those devout to Catholic skirts know such pleasure. Fast forward five years and the uppermost hatch of womanly H opens like a sheltered harbor propelled by fast currents out to Hamstring Sea, as the eye shoots toward the over-loved overlord, Queen Rump. But if we concentrate on the space between Royal Rump and Workmanly Foot, there’s the woeful, forgotten, old faithful Knee, neither he nor she but a killing spree manifested bodily, a mutiny, a site of sorrow, where rounded, overprotective, oft-admired cap fends off shots from unsuspected, tender pit. Cap and pit, captain pit, capitulated prick—that is, capsized patience with all this whimsical shit. He hereby quits this snap and presses abecedarian daggers into the enormous, bloated float between overwriter and whoever reads this. Or maybe there lies between the overprotected and the under-understood important lies, tries, dies. Trials, death, breath of exalted joint. Oh how once we limp we hate on headless sprinters upon their daily morning rush! Even we envy the black nails of curs scuttling from the kick. The doomed giraffes loping from the lion pack, we want to be their legs. From now on we shall stand as braced and royal as a stand of oak, our thousand arms wide, palms open, fingers spread, contemplating a peaceful, kneeless eternity.Was He One of the Ones? - Jack Selber
I’d probably spent the best part of an hour down there. Well, I mean, I kept coming up and asking her, ‘How many?’ ‘Seven,’ she said. ‘Seven?’ I replied. ‘Well, I suppose that isn’t that many, when you think about it. Not that many in the scheme of things. Not as many as I’d had. But seven? You could remember seven. Remember their names. The size of their penises. The way they kissed and fumbled with clasps.But every time I lowered myself to her pubic hair, I got a view of the crown of some other guy’s head. On one occasion, I could see the flakes of dandruff settled there like resting ptarmigans in a winter spruce forest. I had to come up again. I looked her in the eye. She was smiling. I knew I had to banish the guys who’d been before me. It was like forgetting friends, losing your address book, deleting your contacts’ list.
I made some excuse about my sinuses playing up but she wasn’t taking ‘no’ for an answer. I’d promised. It was her birthday. So down I go. And I’m in. Fine hair, tickly on my tongue, she’s wet, and I nip her labia majus, run my tongue inside her labia minus, slip her clitoris from the vestibule and rub it with my thumb. I lick her. I kiss her thighs. Move back up. Kiss her belly. Probe her navel, taste salt, the matchstick flare bitterness of her sweat. I’m pulled back down there by a fine line of hairs like gunpowder.
I open her lips as if they were Martian figs. I look and I see on the inside a blue mark. I realize it’s a tattoo. I can just make out through the vaginal juices the name Jeremy. It’s like looking through my glasses, wet from the rain, at a neon sign that reads ‘death.’ I bite down and feel her bulbocavernosus muscle contract. I sit up and, pulling a stray hair from my tongue, I ask, ‘Was he one of the ones?’
Wednesday, 18 June 2008
Heavy - Bob Rosenthal
I am thinking I carry the beatings I got as a child. I carry them on me -- they are the weight I carry on me. Father beat me for not eating fast enough. I was humiliated with food. I was skinny. I a finicky eater, slim. I hated fat. I hated peas. I hated things. Peas! I hated peas. I hated peas out of a can. I hated mushy peas not as green as in England. He put two peas on my plate and two eyes on me! He would wait. Watch me eat those poison pills of peas. Those vomit producing unctuous orbs. Watch. Watch. There was no escape. And the big eye was on me. And I couldn’t do it. I would take a pea and put it in my mouth -- my stomach would tighten -- my throat would close -- reverse its flow, I’d start heaving ahmm uhmm uho out my nose. I couldn’t get it down -- jam it on the roof of my mouth (later scrape into toilet bowl) and pretend to swallow. Not daring to meet his glare.